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Tag: book design


Long before curatorial practice became integral to my work, I devoured exhibition catalogs. As a scholar/curator, however, I have tended to chafe at some of the limitations of the standard notions of the catalog. Here’s a post on an experimental alternative to those conventional notions: the catalog for the Universo futurista / Futurist Universe exhibition (April 21, 2018 – May 19, 2019) at the Fondazione Sonia e Massimo Cirulli in Bologna–a catalog in the form
 
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- January 5, 2019

For several decades philosophers, psychologists, cognitive scientists, and education theorists have contested once prevalent accounts of human intelligence as a single, unified or monolithic thing, arguing instead for plural models that accommodate some degree of multiplicity in thinking/learning/knowing modes. The result has been controversy, particularly between advocates (like Howard Gardner) of expanded definitions of intelligence and those who propose instead more restrictive, measurable definitions that push various skill sets outside the bounds of “intelligence” proper.
 
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- July 15, 2017

A celebration of the Piaggio Group’s 130 years of history was held on March 23rd in Milan’s Teatro Vetra with an emphasis on its present and future plans. Speakers included Roberto Colaninno, president and CEO of the IMMSI holding company, to which the Piaggio Group belongs, and Stefano Belisari (“Elio” of the Italian band Elio e le Storie Tese). The centerpiece of the celebration was the limited edition volume FuturPiaggio (though the tantalizing presence of
 
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- March 25, 2017

Printing was never monolithic as a technology. Over the course of its history, it has been employed in the service of producing everything from nimble playing cards designed to last for months to hulking tomes destined for millennia of consultation. And within the ever shifting universe of print, books have routinely been perceived as too available or unavailable, too large or small, too cheap or luxurious. This pendulum of concerns, inflected by transformations in the media
 
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- January 7, 2017

My collaborator Adam Michaels and I have been working on a two-fold supplement to our 2012 book on the experimental paperbacks of the 60s and 70s that we will be presenting at the Project Projects table at the New York Art Book Fair (MOMA P.S. 1) on the afternoon of Saturday, September 21, 2013. It consists in two limited edition items: a poster remix of the book and its sources; and a pamphlet that reproduces
 
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- September 9, 2013
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