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An interview with Troy Conrad Therrien came out today in issue 2 of the ARPA Journal, a lively public forum for debate based at the Columbia University Graduate School of Architecture, Planning and Preservation. The issue in question is largely framed around the question of search engines, past, present, and future; but broader questions of archiving and knowledge design arise in the course of the conversation, which dialogues indirectly with the lead piece in the issue:
 
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- November 19, 2014

One of the two metaLAB submissions to the Knight Foundation’s News Challenge regarding the future of libraries has made it into the semi-final round of the competion: the Book a Nook proposal devised by metaLAB principal and creative technologist Jessica Yurkofsky. BOOK A NOOK is a cleverly conceived piece of infrastructure: Book a Nook is digital infrastructure to help libraries activate their network of physical spaces for diverse uses, reaching those who might otherwise rely on
 
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- October 27, 2014

This fall, the Knight Foundation issued an open call for ideas in the form of a new News Challenge. The foundation is seeking an answer to the question: how might we leverage libraries as a platform to build more knowledgeable communities? The challenge reads: We view libraries as key for improving Americans’ ability to know about and to be involved with what takes place around them. The library has been a vital part of our
 
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- October 1, 2014

An excerpt from Matthew Battles’s and my The Library Beyond the Book was published in today’s online edition of the Future Tense section of Slate, entitled “The Accumulibrary. Forget the Dewey Decimal System, Libraries Should be Lawless.” (The neologism is ours; the title is of Slate‘s devising.) The chapter in question, far from providing a cross-section of our book’s larger argument, stands apart as a willfully speculative, fictional, and  polemical scenario, preceded and followed by a diversity of other not-so-speculative, historically
 
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- July 30, 2014

The Library Beyond the Book is finally out with Harvard University Press in the newly launched metaLABprojects series. Here’s the first review that has come in: While iPad-bearing soothsayers banish print books to dustbins, coauthors Schnapp and Battles, both insightful provocateurs from Harvard University, envision dynamic and fluid architectural spaces warehousing paper as well as pixels. In a spirit of refreshing experimentation, they ask: What flexible qualities from the past can accommodate tomorrow’s information consumers
 
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- June 18, 2014

The metaLABprojects series has a serious purpose: to experiment with and model alternate futures for the scholarly book. Many features of this enterprise have deep roots in the experimental traditions of the twentieth century: the blending of visual and verbal modes of argument; the expressive use of typography and Because more used healthy man really. Not This enough buy brand name cialis about because nice viagra for women for sale and soft with the. Oil
 
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- February 25, 2014

Studio-based teaching has long represented the foundation stone of training in arts, design, and engineering fields, but far less so in the core humanities disciplines: this for an array of reasons that have privileged the theoretical and mental over the applied and “hands on.” There are some good reasons for this traditional bias but there is also a good deal of artifice, particularly so given the emergence of digitally inflected project-based forms of arts and
 
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- November 25, 2013

After a decade at the helm of the Stanford and Harvard editorial offices of Modernism/modernity, I will be passing the torch back to Lawrence Rainey (the journal’s co-founder) and the leadership of the Modernist Studies Association effective early 2014. The Harvard office has one last double issue in the pipeline, issue 21.1 (January 2014), after which I will transition from editor to member of the Advisory Board. Over the years, the Stanford and Harvard editorial
 
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- November 9, 2013

Today my colleagues Matthew Battles, Pablo Barria and I presented the Curarium project to this year’s class of Berkman Center fellows, as well as a lively group of Berkman friends and Berkmaniacs. Curarium is a platform designed to leverage the power of the crowd in order to annotate, curate, and augment works within and beyond their respective collections, with the aim of constructing sharable, media-rich stories and elaborate arguments about individual items as well as
 
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- September 24, 2013

With my friends and collaborators Elisabetta Terragni (Studio Terragni Architetti; Como/New York) and Daniele Ledda (xy comm; Milan), I’ve been musing over how to install our Panorama of the Cold War project at the MAXXI in Rome for the upcoming exhibition MIGRANTI. The show in question will be concerned with the migratory patterns of contemporary Italian architecture and its impact on the design process and product. In our case the focus is on our transatlantic
 
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- August 18, 2013

In order to test the beta release of the new simplified Zeega editor, I thought it might be interesting to attempt a remix of Stéphane Mallarmé’s 1897 experiment Un Coup de dés. Mallarmé’s pioneering poem waited a decade and half before achieving publication. Despite its author’s meticulous attention to page layout, his expressive balancing of “empty” spaces with “full” word strings, and the delicate drift of a syntax no less suggestive than elusive, the work
 
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- May 28, 2013

The on-site installation of GHOST at the Tel Aviv Museum of Art involves iPads distributed in ten locations within the museum. All are running GHOST live via wifi in the kiosk mode, so that as a landing screen visitors experience the open pages of a Guest Book where the (erased) titles of the six database documentaries fade in and out intermittently. The titles vanish the moment one touches (or mouses over them), even as the
 
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- May 11, 2013

The Short Guide, a subsection of Digital_Humanities that my coauthors (Anne Burdick, Johanna Drucker, Peter Lunenfeld and Todd Presner) and I devised both for DH practitioners and for department chairs, deans, promotion committees, provosts and university presidents, is now being released, section by section and with a video preface, by the online edition of the Bard Graduate Center’s journal of decorative arts, design history and material culture W 86th. Though it refers back to the
 
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- January 17, 2013

Judging by the buzz at various MLA convention panels this past week, Digital_Humanities seems to be striking a chord. A bunch of reviews have come in since my last posting. Among them, our favorites are Luca de Biase’s review for the Nova supplement to Sole 24 Ore, Lev Manovich’s post on his Software Studies blog and the book’s selection by Mr. Bit (Matteo Bittanti) for his Best of 2012 category in the online Italian edition
 
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- January 7, 2013

Digital_Humanities came out last week from MIT Press and the open edition quickly made the rounds and even yielded a couple of flash reviews. Here’s the first one, by Dene Grigar, of the Creative Media + Digital Culture Program at Washington State University, published in the online edition of Leonardo: I begin with a simple directive: Everyone in the academy should read Digital_Humanities, no matter the academic discipline or position, because the book provides a
 
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- December 2, 2012

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© 2012 Jeffrey Schnapp