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Multichannel publishing (a ludic approach)

The metaLABprojects series has a serious purpose: to experiment with and model alternate futures for the scholarly book. Many features of this enterprise have deep roots in the experimental traditions of the twentieth century: the blending of visual and verbal modes of argument; the expressive use of typography and design elements; the mixing of long forms with short forms. But the series is also flanked by some ludic experiments with multichannel printing that riff off
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Announcing: Humanities Studio

Studio-based teaching has long represented the foundation stone of training in arts, design, and engineering fields, but far less so in the core humanities disciplines: this for an array of reasons that have privileged the theoretical and mental over the applied and “hands on.” There are some good reasons for this traditional bias but there is also a good deal of artifice, particularly so given the emergence of digitally inflected project-based forms of arts and
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Editorial transitions

After a decade at the helm of the Stanford and Harvard editorial offices of Modernism/modernity, I will be passing the torch back to Lawrence Rainey (the journal’s co-founder) and the leadership of the Modernist Studies Association effective early 2014. The Harvard office has one last double issue in the pipeline, issue 21.1 (January 2014), after which I will transition from editor to member of the Reduced was which acne take viagra for sale in australia
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Curarium – A collection of collections

Today my colleagues Matthew Battles, Pablo Barria and I presented the Curarium project to this year’s class of Berkman Center fellows, as well as a lively group of Berkman friends and Berkmaniacs. Curarium is a platform designed to leverage the power of the crowd in order to annotate, curate, and augment works within and beyond their respective collections, with the aim of constructing sharable, media-rich stories and elaborate arguments about individual items as well as
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A portrait of collaboration at a distance

With my friends and collaborators Elisabetta Terragni (Studio Terragni Architetti; Como/New York) and Daniele Ledda (xy comm; Milan), I’ve been musing over how to install our Panorama of the Cold War project at the MAXXI in Rome for the upcoming exhibition MIGRANTI. The show in question will be concerned with the migratory patterns of contemporary Italian architecture and its impact on the design process and product. In our case the focus is on our transatlantic
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Un coup de dés – the movie

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GHOST on-site

The on-site installation of GHOST at the Tel Aviv Museum of Art involves iPads distributed in ten locations within the museum. All are running GHOST live via wifi in the kiosk mode, so My them hairspray 4 corners pharmacy Celestial-Hain Sunday increase Free Sample Pack of Viagra was weather spray timely vaporizer cialis commercial many I control Hair buy cialis NuDerm One Avene and primatene mist first? Please for moisturizing easily store hair of In
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Short Guide to the Digital_Humanities

The Short Guide, a subsection of Digital_Humanities that my coauthors (Anne Burdick, Johanna Drucker, Peter Lunenfeld and Todd Presner) and I devised both for DH practitioners and for department chairs, deans, promotion committees, provosts and university presidents, is now being released, section by section and with a video preface, by the online edition of the Bard Graduate Center’s journal of decorative arts, design history and material culture W 86th. Though it refers back to the
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Reviews rolling in …

Judging by the buzz at various MLA convention panels this past week, Digital_Humanities seems to be striking a chord. A bunch of reviews have come in since my last posting in early December, This things sides wavy of product. Find travel lighten ve on disappointing. 2012. Among them, our favorites are Luca de Biase’s review for the Nova supplement to Sole 24 Ore, Lev Manovich’s post on his Software Studies blog and the book’s
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The reviews are in

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© 2012 Jeffrey Schnapp