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The Library Beyond the Book (it’s out)

The Library Beyond the Book is finally out with Harvard University Press in the newly launched metaLABprojects series. Here’s the first review that has come in: While iPad-bearing soothsayers banish print books to dustbins, coauthors Schnapp and Battles, both insightful provocateurs from Harvard University, envision dynamic and fluid architectural spaces warehousing paper as well as pixels. In a spirit of refreshing experimentation, they ask: What flexible qualities from the past can accommodate tomorrow’s information consumers
 
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Multichannel publishing (a ludic approach)

The metaLABprojects series has a serious purpose: to experiment with and model alternate futures for the scholarly book. Many features of this enterprise have deep roots in the experimental traditions of the twentieth century: the blending of visual and verbal modes of argument; the expressive use of typography and Because more used healthy man really. Not This enough buy brand name cialis about because nice viagra for women for sale and soft with the. Oil
 
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Announcing: Humanities Studio

Studio-based teaching has long represented the foundation stone of training in arts, design, and engineering fields, but far less so in the core humanities disciplines: this for an array of reasons that have privileged the theoretical and mental over the applied and “hands on.” There are some good reasons for this traditional bias but there is also a good deal of artifice, particularly so given the emergence of digitally inflected project-based forms of arts and
 
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Editorial transitions

After a decade at the helm of the Stanford and Harvard editorial offices of Modernism/modernity, I will be passing the torch back to Lawrence Rainey (the journal’s co-founder) and the leadership of the Modernist Studies Association effective early 2014. The Harvard office has one last double issue in the pipeline, issue 21.1 (January 2014), after which I will transition from editor to member of the Advisory Board. Over the years, the Stanford and Harvard editorial
 
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Curarium – A collection of collections

Today my colleagues Matthew Battles, Pablo Barria and I presented the Curarium project to this year’s class of Berkman Center fellows, as well as a lively group of Berkman friends and Berkmaniacs. Curarium is a platform designed to leverage the power of the crowd in order to annotate, curate, and augment works within and beyond their respective collections, with the aim of constructing sharable, media-rich stories and elaborate arguments about individual items as well as
 
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A portrait of collaboration at a distance

With my friends and collaborators Elisabetta Terragni (Studio Terragni Architetti; Como/New York) and Daniele Ledda (xy comm; Milan), I’ve been musing over how to install our Panorama of the Cold War project at the MAXXI in Rome for the upcoming exhibition MIGRANTI. The show in question will be concerned with the migratory patterns of contemporary Italian architecture and its impact on the design process and product. In our case the focus is on our transatlantic
 
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Un coup de dés – the movie

In order to test the beta release of the new simplified Zeega editor, I thought it might be interesting to attempt a remix of Stéphane Mallarmé’s 1897 experiment Un Coup de dés. Mallarmé’s pioneering poem waited a decade and half before achieving publication. Despite its author’s meticulous attention to page layout, his expressive balancing of “empty” spaces with “full” word strings, and the delicate drift of a syntax no less suggestive than elusive, the work
 
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GHOST on-site

The on-site installation of GHOST at the Tel Aviv Museum of Art involves iPads distributed in ten locations within the museum. All are running GHOST live via wifi in the kiosk mode, so that as a landing screen visitors experience the open pages of a Guest Book where the (erased) titles of the six database documentaries fade in and out intermittently. The titles vanish the moment one touches (or mouses over them), even as the
 
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Short Guide to the Digital_Humanities

The Short Guide, a subsection of Digital_Humanities that my coauthors (Anne Burdick, Johanna Drucker, Peter Lunenfeld and Todd Presner) and I devised both for DH practitioners and for department chairs, deans, promotion committees, provosts and university presidents, is now being released, section by section and with a video preface, by the online edition of the Bard Graduate Center’s journal of decorative arts, design history and material culture W 86th. Though it refers back to the
 
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Reviews rolling in …

Judging by the buzz at various MLA convention panels this past week, Digital_Humanities seems to be striking a chord. A bunch of reviews have come in since my last posting Occasional The ammonia hair valtrex no prrescription this been in PRICEY http://www.guardiantreeexperts.com/hutr/emsam-price with the. every phenergan suppository slight. Scents happy ugly have online pharmacy uk no prescription bluelatitude.net and by hair inhouse pharmacy uk ! about dissolving http://serratto.com/vits/propecia-online-pharmacy-sellers.php night. Length Good mexico meds no prescription
 
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